Presley, Elvis - Elvis Recorded Live on Stage in Memphis/Recorded a - Amazon.com Music Skip to main content. Try Prime EN Hello, Sign in Account. To view this video download Flash Player. Amazon Photos Unlimited Photo Storage Free With Prime: Prime Video Direct Video Distribution Made Easy. Trying To Get To You (Live on Stage in Memphis) Karaoke - Elvis Presley This title is a cover of Trying To Get To You (Live on Stage in Memphis) as made famous by Elvis Presley Colored background Black background.

Disc 1 (Stereo Recordings):Recorded live March 20, 1974 at Mid-South Coliseum, Memphis. From the album Elvis Recorded Live On Stage In Memphis CPL1 0606, released July 19741-7 to 1-9, 1-11, 1-12, 1-15, 1-22, 1-23 are not included on the original albumDisc 2 (Mono Recordings):2-1 to 2-22Recorded live March 18, 1974 at the Coliseum, Richmond.

The show was recorded as a test run for the Memphis recording. It's presented in mono and with heavy reverb as Elvis preferred.2-23 to 2-27Recorded August 16, 1974 at RCA's Studios, Hollywood.

This recording was not meant for record production, but just as reference for Elivs in his preparations for upcoming Las Vegas engagement.

The Rock and Roll Hall of Fame in 2016EstablishedApril 20, 1983; 37 years ago ( 1983-04-20)Dedicated September 1, 1995Location1100 Rock and Roll Boulevard(East 9th Street at ), U.S. 44114Visitors543,000 (2016)PresidentGreg HarrisPublic transit accessWebsiteThe Rock and Roll Hall of Fame (RRHOF) is a and located in, on the shore of. The museum documents the history of and the artists, producers, engineers, and other notable figures who have influenced its development.The Rock and Roll Hall of Fame Foundation was established on April 20, 1983, by, founder and chairman of. After a long search for the right city, Cleveland was chosen in 1986 as the Hall of Fame's permanent home.

Architect designed the new museum, and it was dedicated on September 1, 1995. Contents.Rock and Roll Hall of Fame Foundation The RRHOF Foundation was established in 1983 by, who assembled a team that included publisher, record executives, and Noreen Woods, and attorneys and Suzan Evans. The Foundation began inducting artists in 1986, but the Hall of Fame still had no home. The search committee considered several cities, including Philadelphia (home of and ), Memphis (home of and ), Detroit (home of ), Cincinnati (home of ), New York City, and Cleveland.Cleveland lobbied for the museum, with civic leaders in Cleveland pledging $65 million in public money to fund the construction, and citing that disc jockey both coined the term ' and heavily promoted the new genre—and that Cleveland was the location of Freed's, often credited as the first major rock and roll concert. Freed was also a member of the hall of fame's inaugural class of inductees in 1986. In addition, Cleveland cited radio station, which played a key role in breaking several major acts in the U.S.

During the 1970s and 1980s, including, who began his first U.S. Tour in the city, and among many others.Cleveland business leaders and media companies organized a petition demonstrating the city's support that was signed by 600,000 Northeast Ohio residents, and Cleveland ranked first in a 1986 USA Today poll asking where the Hall of Fame should be located. On May 5, 1986, the Hall of Fame Foundation chose Cleveland as the permanent home of the Rock and Roll Hall of Fame and Museum. Author said the hall should have been located in Memphis in a 2016 interview. Cleveland may also have been chosen as the organization's site because the city offered the best financial package.

As The Plain Dealer music critic Michael Norman noted, 'It was $65 million. Cleveland wanted it here and put up the money.' During early discussions on where to build the Hall of Fame and Museum, the Foundation's board considered a site along the Cuyahoga River in downtown Cleveland. Ultimately, the chosen location was along East Ninth Street in downtown by, east of.

At one point in the planning phase, when a financing gap existed, planners proposed locating the Rock Hall in the then-vacant May Company Building, but finally decided to commission architect to design a new building. Initial CEO Dr. Facilitated I. Pei in designs for the site. Pei came up with the idea of a tower with a glass pyramid protruding from it. The museum tower was initially planned to stand 200 ft (61 m) high, but had to be cut down to 162 ft (49 m) due to its proximity to.

The building's base is approximately 150,000 square feet (14,000 m 2).RRHOF and Museum building The groundbreaking ceremony took place on June 7, 1993., of, of and of all appeared at the groundbreaking.The museum was dedicated on September 1, 1995, with the ribbon being cut by an ensemble that included and, among others, before a crowd of more than 10,000 people. The following night an all-star concert was held at Cleveland Stadium. It featured, and many others.In addition to the Hall of Fame inductees, the museum documents the entire history of rock and roll, regardless of induction status. Hall of Fame inductees are honored in a special exhibit located in a wing that juts out over Lake Erie.Since 1986, the Rock and Roll Hall of Fame has selected new inductees. The formal induction ceremony has been held in New York City 26 times (1986–92, 1994–96, 1998–2008, 2010–11, 2014, 2016, 2017, and 2019); twice in Los Angeles (1993 and 2013); and five times in the hall of fame's home in Cleveland (1997, 2009, 2012, 2015, and 2018).

As of 2018, the induction ceremonies alternate each year between New York and Cleveland.The 2009 and 2012 induction weeks were made possible by a between the City of Cleveland, the State of, the Rock and Roll Hall of Fame, and local foundations, corporations, civic organizations and individuals. Collectively these entities invested $5.8 million in 2009 and $7.9 million in 2012 to produce a week of events including free concerts, a gospel celebration, exhibition openings, free admission to the museum, and induction ceremonies at Public Hall.Millions viewed the television broadcast of the Cleveland inductions; tens of thousands traveled to Ohio during induction week to participate in the events. The economic impact of the 2009 induction week activities was more than $13 million, and it provided an additional $20 million in media exposure for the region. The 2012 induction week yielded similar results. The Rock and Roll Hall of Fame (left) sits on the shore next to the (right) in Cleveland's.There are seven levels in the building. On the lower level is the Exhibition Hall, the museum's main gallery. It includes exhibits on the roots of rock and roll (, and, and ).

It also features exhibits on cities that have had a major impact on rock and roll:,. There are exhibits about, the Fifties, Cleveland's rock and roll legacy, the music of the Midwest, rock and roll radio and dee-jays, and the many protests against rock and roll. This gallery also has exhibits that focus on individual artists, including, and others. Finally, the Ahmet M. Ertegun Exhibition Hall includes a theatre that features films on various subjects such as.The first floor of the museum is the entrance level. It includes a cafe, a stage that the museum uses for various special performances and events throughout the year, and a section called 'Backstage Stories.' The second floor includes several interactive kiosks that feature programs on and the Songs That Shaped Rock and Roll.

This level also includes a gallery with artifact-filled exhibits about, and the evolution of audio technology.Visitors enter the Hall of Fame section of the museum on the third floor. This section includes 'The Power of Rock Experience,' which includes one of 's final works, a film shown in the Connor Theater. The film includes musical highlights from some of the Hall's induction ceremonies. Visitors exit the Hall of Fame section on the fourth floor. That level features the Foster Theater, a state-of-the-art 3-D theater that is used for special events and programs.Finally, the top two levels of the Rock and Roll Hall of Fame feature large, temporary exhibits. Over the years, numerous exhibits have been installed on these two levels, including exhibits about, the, Women Who Rock, and the.Cleveland area musicians/bands who have performed at the Hall of Fame include (with from Akron) in 1995 at the Hall's opening (they performed '), (with ) in 2001, (with Warren-native ) in 2001, (with one-time Cleveland resident ) in 2007, in 2009, in 2009, and in 2014. Architecture.

The museum's New York City Annex (2008–2010) on,In 2006, the RRHOF partnered with three entertainment production companies to create a branch museum in New York City. On November 18, 2008, the Rock and Roll Hall of Fame Annex NYC opened in 's district. Located at 76 just off, the Annex occupied an underground space of 25,000 square feet. The branch museum operated in much the same way as its Cleveland parent, featuring archetypal display pieces like 's coat from, 's 'big suit' from, and 's motorcycle jacket and his Bible. But from its start the Annex also had a distinct focus that made plenty of space for big items like the phone booth from, layered thick with band stickers over the decades; Bruce Springsteen's own; a special gallery reserved for the city's musicians; and an intricate 26-foot scale model of Manhattan highlighting sites of rock history.Jann Wenner served as chairman of the board of the Annex. At its opening night gala, he inadvertently created a controversy after he told a reporter, 'One of the small sad things is we didn't do it in New York in the first place.' He later expressed regret for his remark which he said had been misconstrued, and clarified that 'I am absolutely delighted that the Rock and Roll Hall of Fame and Museum is in Cleveland.'

The Annex closed on January 3, 2010, its quick demise reportedly due to the global and a subsequent downturn in the city's tourism. The museum closed with a final major exhibition on and his years in New York City. Exhibit history Since 1997, the Rock and Roll Hall of Fame has featured numerous temporary exhibits that range in size from major exhibits that fill the top two floors of the museum to smaller exhibits that are often installed in the main exhibition hall on the lower level.The museum's first major exhibit opened on May 10, 1997.

It was called I Want to Take You Higher: The Psychedelic Era, 1965–1969. It included memorabilia from numerous artists including, and, as well as items related to the 1967 and 1969's.That exhibit was followed by Elvis is in the Building, which ran from August 8, 1998, to September 5, 1999. This year-long tribute was the first exhibit devoted to a single artist, Elvis Presley—the 'King of Rock and Roll' and the first inductee into the RRHOF, in 1986. Supplied a significant selection of representative artifacts for this special tribute spanning Elvis' life and legendary career. Next, the museum curated Roots, Rhymes and Rage: The Hip-Hop Story. That was the first major museum exhibit to focus on hip-hop. It ran from November 11, 1999, to August 6, 2000.

It was followed by Rock Style, an exhibit that focused on rock and roll and fashion. It featured clothing from to, from to and from to. After it closed in Cleveland, Rock Style traveled to other museums in the U.S.Other temporary exhibits have included Lennon: His Life and Work, which ran from October 20, 2000, to January 1, 2003. It was followed by In the Name of Love: Two Decades of and then Reflections: The Supreme Legacy Collection.

A major exhibition titled Louder than Words: Rock, Power, Politics was on display during the in Cleveland.Other large temporary exhibits have focused on ( Revolution Rock: The Story of the Clash), ( Break on Through: The Lasting Legacy of the Doors), 's ( Tommy: The Amazing Journey), and ( From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen). Another thematic temporary exhibit focused on the role of women in rock and roll ( Women Who Rock: Vision, Passion, Power). Many of these exhibits travel to other museums after closing in Cleveland.

A major temporary exhibit in 2017 told the story and impact of magazine.The Rock and Roll Hall of Fame also curates many smaller temporary exhibits. Over the years, these exhibits have focused on such topics as the, Woodstock's 40th and 50th anniversaries, the, Motown's 50th anniversary, and 's basses.The museum also devotes exhibits to photography and artwork related to rock and roll.

Among the photographers whose work has been featured at the Hall of Fame are, Alfred Wertheimer, Tommy Edwards, Kevin Mazur, Janet Macoska, Robert Alford, and George Shuba. The museum also featured the artwork of Philip Burke in one of its temporary exhibits, and a later exhibit featured Herb Ritts. Public programs The Rock and Roll Hall of Fame and Museum produces numerous public programs, including concerts, interviews, lectures, film screenings, and other events that help tell the story of rock and roll.Every February, the museum celebrates by hosting concerts, film screenings and lectures that illustrate the important role African-Americans have played in the history of rock and roll. Since the program began in 1996, such artists as, and have appeared at the museum during Black History Month.Another program is the Hall of Fame Series. This series began in April 1996 and features interviews with Hall of Fame inductees in a rare and intimate settings, most often in the Museum's Foster Theater. The interviews are usually followed by a question-and-answer session with the audience and, often, a performance by the inductee. Among the inductees who have taken part in this series are Darryl 'DMC' McDaniels of., of, of, and of, of, and of the.A similar program is the Legends Series.

The only real difference between this program and the Hall of Fame Series is that it features artists who have not yet been inducted into the Hall of Fame. Of, of, and are among the artists who have participated in the Legends Series.The Rock and Roll Hall of Fame and Museum's most acclaimed program is the annual American Music Masters series. Each year the museum celebrates one of the Hall's inductees with a week-long series of programs that include interviews, film screenings, and, often, a special exhibit.

The celebration ends with an all-star concert held at a Cleveland theater. The concerts include a diverse mix of artists, from Hall of Fame inductees to contemporary musicians.The American Music Masters series began in 1996 with Hard Travelin': The Life and Legacy of Pete Seeger.

Since then, the programs have honored the following inductees: (1997), (1998), (1999), (2000), (2001), (2002), (2003), (2004), (2005), (2006), (2007), (2008), (2009), and (2010), (2011), (2012), (2014) and (2017). In 2019, the concert series' format was retooled and the event was renamed the Rock Hall Honors, in which the honored performer is joined in concert by guests of their choice. The first Rock Hall Honors concert, featuring, was performed in Cleveland in September 2019. Songs that Shaped Rock and Roll Hall of Fame museum curator James Henke, along with 'the museum's curatorial staff and numerous rock critics and music experts', created an unordered list of '500 Songs That Shaped Rock and Roll'. The list is part of a permanent exhibit at the museum, and was envisioned as part of the museum from its opening in 1995. It contains songs recorded from the through the 1990s.

The oldest song on the list is ', written circa 1882 and credited to J. Since then, however, an additional 160 songs have been added, and the list is now simply referred to as 'The Songs That Shaped Rock and Roll'. The most recent songs on the list are 's ' and 's ', both released in 2006. The Beatles and the Rolling Stones are the most represented on the 660-song list, with eight songs each.Artists with four or more songs. See also:Artists are inducted into the Rock and Roll Hall of Fame at an annual induction ceremony. Over the years, the majority of the ceremonies have been held at the in New York City.

However, on January 12, 1993, the ceremony was held in Los Angeles, and was held there again in 2013. On May 6, 1997, about a year and a half after the opening of the Rock and Roll Hall of Fame and Museum, the ceremony was held in Cleveland. It returned to Cleveland in 2009 and again in 2012. Current plans call for the ceremony to be in Cleveland every three years.Generally, the number of inductees ranges from about a half-dozen to a dozen. Virtually all living inductees have attended the ceremonies, and they are presented with their Hall of Fame award by an artist who was influenced by that inductee's music. The Rock and Roll Hall of Fame in Cleveland, Ohio November 2015The Rock and Roll Hall of Fame and Museum's Library and Archives is the world's most comprehensive repository of materials related to the history of rock and roll. The Library and Archives is located in a new building on the Metro Campus of in Cleveland's.The Library and Archives' mission is to collect, preserve and provide access to these materials.

The Library and Archives operates on two levels: people may come into the library and read the books and magazines, listen to music and other recordings, and watch videos and films. More serious scholars, historians and journalists may also make an appointment for access to the archival collections under the supervision of the staff archivists.The library is composed of books, academic dissertations, and other references. It also includes popular magazines, scholarly journals and trade publications; commercial audio and video recordings, and research databases.The archival collections include music-business records from record executives, artist managers, labels, historic venues, recording studios, specialists in stage design and lighting, and long-running concert tours. The collections also contain important individual items, such as personal letters penned by and, handwritten working lyrics by and, papers from music journalists such as, and rare concert recordings from in the 1970s. Criticism The most frequent criticism of the Hall of Fame is that the nomination process is controlled by a few individuals who are not themselves musicians, such as founders Jann Wenner and Suzan Evans, and writer, reflecting their personal tastes rather than the views of the rock world as a whole. A former member of the nominations board once commented that 'At one point Suzan Evans lamented the choices being made because there weren't enough big names that would sell tickets to the dinner.

That was quickly remedied by dropping one of the groups being considered in favor of a 'name' artist. I saw how certain pioneering artists of the '50s and early '60s were shunned because there needed to be more name power on the list, resulting in '70s superstars getting in before the people who made it possible for them. Some of those pioneers still aren't in today.' Is often considered 'The Godmother/Grandmother of Rock & Roll', but was not chosen for induction until 2017.

Drummer has dismissed the Hall of Fame as the 'Hall of Lame'.There was also criticism of the opacity in the selection process. Janet Morrissey of wrote:With fame and money at stake, it's no surprise that a lot of backstage lobbying goes on. Why any particular act is chosen in any particular year is a mystery to performers as well as outsiders – and committee members say they want to keep it that way., the chairman of the nominating committee, says they prefer it that way. 'We've done a good job of keeping the proceedings nontransparent.

It all dies in the room.' According to, petitions with tens of thousands of signatures were also being ignored, and some groups that were signed with certain labels or companies or were affiliated with various committee members have even been put up for nomination with no discussion at all. The committee has also been accused of largely ignoring certain genres.

According to author in 2007, 'entire genres get passed over, particularly, '60s, New Orleans and a whole lot of.' Another criticism is that too many artists are inducted. In fifteen years, 97 different artists were inducted.

A minimum of 50% of the vote is needed to be inducted, although the final percentages are not announced and a certain number of inductees (five in 2011) is set before the ballots are shipped. The committee usually nominates a small number of artists (12 in 2010) from an increasing number of different genres. Several voters, including, himself a former member of the nominating committee, did not submit their ballots in 2007 because they did not feel that any of the candidates were truly worthy.Members of the British band, inducted in 2006, refused to attend the ceremony, calling the museum 'a piss stain' and 'urine in wine.' In 's Annual Lecture in 2013, the singer accused the museum of, stating, 'Out of 295 acts and artists in the Rock n' Roll Hall of Fame, 259 are entirely male, meaning that 's part in makes them one of the 36 female acts.'

In fact, the actual percentage of woman inductees is 8.5%. Combining all the categories, there have been 719 inductees, out of which 61 have been women.2016 inductee directed a litany of complaints at the hall, both during his induction speech and, especially, in interviews after it. His criticisms included his opinions that there is a general lack of female inductees, that there is not enough support by the hall for music education, and that inductees are treated poorly at the award ceremony.In 2018, of criticized the Hall of Fame by calling it 'an utter and complete load of bollocks. Run by a bunch of sanctimonious bloody Americans who wouldn’t know rock 'n' roll if it hit them in the face.' Dickinson has also expressed an overall distaste for the Hall of Fame entity, arguing that 'if you put music in a museum, then it's dead.'

Iron Maiden had been eligible for induction since 2004. Hard rock and heavy metal website observed how it had taken 15 years to be inducted and 23 years. Regarding his band's non-induction into the Hall, bassist stated in a 2019 interview, 'I don't think they like heavy metal music in general.' In 2018, when British rock band were inducted, Grammy award winner and band leader did not attend the ceremony and offered no official explanation. Several people criticized the 2020 nominations because were not part of the class, despite them topping the fan vote. Dave Clark Five On March 14, 2007, two days after that year's induction ceremony, Roger Friedman of published an article claiming that should have been the fifth inductee, as they had more votes than inductee.

The article went on to say that Jann Wenner availed himself of a technicality on the day votes were due in. In reality, The Dave Clark Five got six more votes than Grandmaster Flash. But he felt 'we couldn't go another year without a rap act.' The Rock and Roll Hall of Fame Foundation responded 'There is a format and rules and procedure.

There is a specific time when the votes have to be in, and then they are counted. The bands with the top five votes got in.' The Dave Clark Five was subsequently nominated again and then inducted the following year.

The Monkees In June 2007, Monkee complained to the that Wenner had blackballed, commenting:Wenner doesn't care what the rules are and just operates how he sees fit. It is an abuse of power. I don't know whether the Monkees belong in the Hall of Fame, but it's pretty clear that we're not in there because of a personal whim. Jann seems to have taken it harder than everyone else, and now, 40 years later, everybody says, 'What's the big deal? Everybody else does it.'

Uses studio artists or backing bands. Nobody cares now except him. He feels his moral judgment in 1967 and 1968 is supposed to serve in 2007.In a Facebook post, fellow Monkee stated that he did not know if the Monkees belonged in the Hall of Fame because he could only see the impact of the Monkees from the inside, and went on to say: 'I can see the HOF (Hall of Fame) is a private enterprise. It seems to operate as a business, and the inductees are there by some action of the owners of the Enterprise. The inductees appear to be chosen at the owner's pleasure. This seems proper to me.

It is their business in any case. It does not seem to me that the HOF carries a public mandate, nor should it be compelled to conform to one.' Various magazines and news outlets, such as, radio, magazine, and have argued that the Monkees belong in the Rock and Roll Hall of Fame.See also.

Rock & Roll Hall of Fame and Museum, Inc. Archived from (PDF) on February 27, 2019. Retrieved February 27, 2019. Swindell, Howard (May 8, 1986). Archived from on February 17, 2019. Retrieved February 17, 2019. April 8, 2016.

Archived from on April 9, 2016. Retrieved February 17, 2019. Retrieved August 23, 2018. Peter Guralnick (author of Sam Phillips: The Man Who Invented Rock 'n' Roll), an interview, 'Bostonia,' Winter-Spring 2016, pp. The Plain Dealer/Cleveland.com.

Retrieved March 1, 2013. Norman, Michael. Retrieved June 11, 2019. Grzegorek, Vince (April 8, 2016). Retrieved April 6, 2016.

Soeder, John. The Plain Dealer/Cleveland.com. Retrieved March 4, 2013. Soeder, John. The Plain Dealer/Cleveland.com.

Retrieved March 4, 2013. Retrieved March 4, 2013. Swank, Niki. Builders Exchange Magazine.

Retrieved March 4, 2013. Smith, Troy L. (June 29, 2017). Retrieved September 10, 2017. McGregor, Ellen (June 8, 2011). //ABC News (Cleveland). Archived from on February 23, 2015.

Retrieved March 4, 2013. Retrieved March 4, 2013. Retrieved April 26, 2019.

(PDF). American Institute of Steel Construction. Archived from (PDF) on June 15, 2013. Retrieved March 4, 2013. ^ Sisario, Ben (November 20, 2008). The New York Times.

P. C5. ^ Soeder, John (December 5, 2008). Retrieved November 3, 2019. ^ Durkin, Erin (January 3, 2010).

Edition.CNN.com. Keeter, Larry G. Elvis Is In the Building, 'Elvis International Forum,' Summer 2000, pp.

28–29.). Smith, Troy (December 10, 2015). Retrieved October 19, 2019. Smith, Troy (August 14, 2019). Smith, Troy (May 4, 2017). Retrieved October 19, 2019. Yarborough, Chuck.

The Plain Dealer/Cleveland.com. Retrieved June 21, 2013.

Thomas, Jennie. Library.rockhall.com. Hake, A. WOIO/19 Action News. Retrieved March 2, 2013. D.X., Ferris.

Rolling Stone. Retrieved March 5, 2013. DeMarco, Laura.

The Plain Dealer/Cleveland.com. Retrieved March 5, 2013.

Soeder, John. The Plain Dealer/Cleveland.com.

Retrieved March 2, 2013. Doyle, Patrick. Rolling Stone. Retrieved March 2, 2013.

Swar systems. We've more thn 5 years experiance working with these(VST MIDI AND INDIAN) instruments.

^ Yarborough, Chuck (January 13, 2019). Retrieved October 20, 2019.

Yarborough, Chuck (August 1, 2019). Retrieved October 20, 2019. Retrieved October 24, 2016.

Rock & Roll Hall of Fame. Archived from on June 28, 2011. Retrieved January 6, 2017. NJ.com. Henry Ray Abrams. Retrieved June 12, 2011. Henry Ray Abrams.

Retrieved June 12, 2011. Retrieved August 23, 2018. Soeder, John (February 9, 2012). Retrieved February 26, 2012. Contactmusic.com. Soeder, John (December 15, 2010). Retrieved December 20, 2010.

Rolling Stone Magazine. Retrieved March 1, 2013. Graff, Gary. Billboard Magazine. Retrieved March 1, 2013.

Soeder, John. The Plain Dealer/Cleveland.com. Retrieved March 1, 2013. ^ Friedman, Roger (April 4, 2001).

Retrieved April 4, 2001. May 24, 2011.

Retrieved March 18, 2017. Retrieved March 18, 2017.

Olivier.landemaine.free.fr. ^ Morrissey, Janet (December 3, 2011). The New York Times. Retrieved December 5, 2011. Boehm, Mike (December 29, 2009).

Los Angeles Times. Retrieved January 20, 2010.

Gundersen, Edna (March 12, 2007). Retrieved January 20, 2010. ^ Friedman, Roger (January 12, 2007).

Star Tribune. Archived from on October 20, 2007.

Retrieved January 17, 2007. (November 14, 2007). San Francisco Chronicle. Retrieved December 7, 2007.

– The Filth and the Fury. February 24, 2006. Archived from on March 2, 2008. Digital Media News, October 15, 2013. Retrieved August 23, 2018. Retrieved August 23, 2018.

Ultimateclassicrock.com. ^. January 27, 2019. Retrieved September 25, 2019. Retrieved 6 February 2020.

Friedman, Roger (March 14, 2007). Retrieved April 6, 2007. Heaton, Michael (March 17, 2007).

The Plain Dealer. Archived from on November 29, 2007. Retrieved April 6, 2007.

Associated Press. Archived from on December 24, 2007. Retrieved January 2, 2008.

Nesmith, Michael. Retrieved May 13, 2012. McCombs, Joseph (April 19, 2012). Retrieved May 20, 2012.

Hirsh, Marc. Retrieved May 20, 2012. The Christian Science Monitor.

Retrieved May 20, 2012. Marder, Phill. Goldmine Magazine. Retrieved May 20, 2012. Marder, Phill.

Goldmine Magazine. Retrieved May 20, 2012. Hoskyns, Barney. Retrieved May 20, 2012. Sclafani, Tony.

Archived from on May 12, 2012. Retrieved May 20, 2012.External links Wikimedia Commons has media related to. (1949). (1951). (1960). (1960).

(1960-61). (1961). (1961). (1962).

(1962). (1960s).

(1963). (1963). (1964). (1964).

(1964). (1964).

(1965). (1966). (1967). (1968). (1968).

(1969). (1970). (1970).

(1971). (1972). (1973). (1973).

(1976). (1976). (1977).

(1978). (1979). (1979). (1980). (1981).

(1982). (1982). (1982). (1982). (1983). (1984).

(1984). (1986).

(1986). (1987). (1989).

(1989). (1990). (1992).

(1993). (1993). (1993). (1995). (1996). (1997). (2003).

(2003). (2006). (2006). (2006).

SAOImage DS9 is an astronomical imaging and data visualization application. DS9 supports FITS images and binary tables, multiple frame buffers, region manipulation, and many scale algorithms and colormaps. It provides for easy communication with external analysis tasks and is highly configurable and extensible. DS9 is a stand-alone application. SAOImage DS9 is an astronomical imaging and data visualization application. DS9 supports FITS images and binary tables, multiple frame buffers, region manipulation, and many scale algorithms and colormaps. It provides for easy communication with external analysis tasks and is highly configurable and extensible via XPA and SAMP. Download the latest version of SAOImage DS9 for Mac - Astronomical imaging and data visualization application. Read 3 user reviews of SAOImage DS9 on MacUpdate. Saoimage ds9 7.2 free download for mac. The latest version of SAOImage DS9 is 7.2 on Mac Informer. It is a perfect match for Viewers & Editors in the Design & Photo category. The app is developed by Smithsonian Astrophysical Observatory.

(2008). (2009)Other.